Out of print for more than 30 years, now available for the first time as
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This is the only book that gives a true picture of the character of John
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Compiled with
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The players tell their their stories in their own words.
Click the book to read the first chapter and for
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Most
Enjoyable & Most Disappointing of 2012
by Tony
Medley
There were a few
more terrible films in 2012 than 2011, but the ones that were terrible
were truly terrible. The flip side of that is that there were more
entertaining films this year, so my lists are a little longer than last
year.
Here are my
lists of the most enjoyable and least enjoyable/most disappointing/most
overrated films I saw during 2012. The negative category includes some
films that, while not the worst, were disappointing or overrated, or,
while enjoyable, had huge flaws. The positive category is just how much
I enjoyed them, not rated as I would rate an Oscar®-winner. The "Most
Disappointing" are listed by rank of how much I loathed them with #1 the
most loathsome.
Most enjoyable:
- A Royal
Affair: What an
historical drama should be, factual and interesting. Are you
listening, Stephen Spielberg?
- Argo:
Ditto.
- Django
Unchained: Christoph
Waltz hits a home run.
- Silver
Linings Playbook:
Bradley Cooper as a seriously bipolar man romantically involved with
equally disturbed Jennifer Lawrence, who is impossibly beautiful and
sexy in this fine comedy about a serious subject.
- Hyde Park
on the Hudson:
Charming ambience and performances in this film about FDR's sexual
dalliances.
- Salmon
Fishing in the Yemen:
Emily Blunt and Ewan McGregor shine in one of the best romances of
the year.
- Liberal
Arts: Channeling
Albert Brooks at his best,
Josh Radnor creates a funny story about life and romance at a
Midwest college.
- Life of
Pi: The Bengal Tiger
is so realistic it's hard to believe it is solely a creation of
computer graphics. But that's not all this movie has to offer.
- Thin Ice:
Greg Kinnear gives a sparkling performance as a devious insurance
salesman, aided by equally wonderful performances by Billy Crudup
and Alan Arkin.
- The
Impossible:
Highlighted by a courageous performance by Naomi Watts, this is so
well done it makes you feel as if you are right there being swept
away in the 2004 Indian Ocean tsunami.
- Moonrise
Kingdom: Director Wes
Anderson's quirky, charming story of youthful infatuation is full of
wonderful performances by an ensemble cast including Bruce Willis,
Edward Norton, and Bill Murray.
- This is
40: Brilliantly
written and directed by Judd Apatow. It must be good, for me to say
this about The Smutmeister.
- Bernie:
A surprise black
comedy hit based on a true story with fine performances by Shirley
McLaine and Jack Black.
- Celeste
and Jesse Forever: A
charming indie with acute realistic dialogue.
-
Contraband: A good
Mark Wahlberg thriller.
-
Headhunters: A better
Norwegian thriller
- Hope
Springs: When Meryl
Streep plays a role straight she can be very good, as she does here
helped by a fine performance by Tommy Lee Jones.
- The
Intouchables: The
story of a quadriplegic invalid and his caretaker sounded depressing but
this true story is a heartwarming comedy.
- Lawless:
Capturing the
prohibition era in moonshine country perfectly, this is a well-acted
movie, if graphically violent.
- Marley:
A fascinating
documentary about reggae singer Bob Marley's life.
- Nobody
Else But You: A fine
French roman à clef thriller.
- The
Oranges: Hugh Laurie
returns to his comedic roots in this entertaining dark comedy with a
bravura performance by Alia Shawkat, Laurie's daughter, whose tongue
in cheek narration carries the humor.
- People
Like Us: Elizabeth
Banks stars as a 30-old
year recovering alcoholic unwed mother working as a bartender,
barely making ends meet who falls for Chris Pine before discovering
what their relationship really is.
- Ruby
Sparks: A fine romcom
based on Pygmalion written by star Zoe Kazan.
-
Arbitrage: Richard
Gere's back and better than ever in this tale of Wall Street
shenanigans.
- Safe:
Jason Statham shows
admirable range in this action film.
- Safe
House: A tense thriller
with inexperienced CIA agent Ryan Reynolds trying to protect and, at
the same time, bring in rogue agent Denzell Washington in Cape Town,
South Africa.
- Savages:
I asked my friend how
she liked this brutal Oliver Stone thriller about drug runners. Her
response, "It's riveting, but I don't like it." That might be a
fairly common reaction.
- Trouble
With the Curve: Clint
Eastwood and Amy Adams shine in this simple tale about a baseball
scout and his daughter.
- Best
Exotic Marigold Hotel:
A charming look at life after 60
without being condescending.
- Taken 2:
Not as good as the
original, but good enough.
- 21 Jump
Street: Despite lots of
F-bombs, this is a fine screwball comedy in the old tradition that
had me laughing out loud, especially at Ice Cube's performance.
- Man on a
ledge: An unusual caper
film with fine performances by Sam Worthington, Elizabeth Banks, and
Ed Harris.
- The
Amazing Spider-Man:
Director Mark Webb takes over from Sam Raimi with a new cast
including Emma Stone and the result is an interesting take on what
had been, heretofore, truly silly stories.
- Crazy
Horse: A documentary
about the legendary Parisian cabaret club featuring nude women
dancers containing revealing interviews with the dancers, producers,
and director, celebrated choreographer Philippe Decouflé, as well as
scenes of rehearsals and performances of their dancing called "nude
chic" (also revealing).
- Follow
Me: The Yoni Netanyahu Story:
A fascinating documentary about
Israeli Prime Minister Bibi Netanyahu's brother, who led the 1976
raid on Entebbe.
- Haywire:
Director Stephen
Soderbergh based this ingeniously convoluted action thriller on one
of his favorite films, the James Bond From Russia With Love.
He's aided by a great cast that includes Ewan McGregor,
Michael Fassbender, Antonio Banderas, and
Michael Douglas.
-
Battleship:
Unbelievably maligned; I think unfairly.
Most
Disappointing:
- Lincoln:
The ludicrous
historical fictions this film foists on its audience are bad enough
but what is truly damning is that it is one of the biggest snorers
ever made.
- Zero
Dark Thirty: This film
goes to great lengths to minimize the heroism of the Navy SEALs who
conducted the raid, and the danger they faced. Instead, its female
director creates a semi-fictional heroine who spends two hours
trying to find bin Laden, picturing her as far more heroic than the
SEALs who risked their lives on a dangerous mission. Not only is
Jessica Chastain miserably miscast, it's almost as boring as
Lincoln.
- The
Campaign: Will
Ferrell; need I say more?
- Fun
Size: The good news
about this film aimed at an age level of about 4-14 is that it's
only 96 minutes long. The bad news is that it is 96 minutes
long.
- Here
Comes the Boom: The
vacuity of making a children's movie that is replete with
stomach–churning violence is mind-boggling.
- Killing
Them Softly: The
"them" in the title turns out to be the audience.
- Pink
Ribbons: A bunch of
unreasonable, angry women bite the hands that feed them.
- Pitch
Perfect: A Glee-like
film targeted at teenaged girls that promotes sexual promiscuity;
yeah that's what we need. Can you spell "flimsy premise?"
10. Project X:
A film glorifying the idea of
teenagers trashing their parents' house. And Hollywood wonders why it's
in trouble?
11. Ted:
A foul mouthed teddy bear comes to
life in a movie without one iota of humor.
12. This Means War:
Substituting crudity for humor, this
appears to have been thrown together without a thought given to
intelligence or verisimilitude.
13. Magic Mike & The Paperboy:
Matthew McConaughey went two
bridges too far in trying to find roles to change his image from romcom
leading man to an actor with depth and range in these degrading,
dispiriting films.
14. Rock of Ages:
Tom Cruise as a distasteful hard
metal rocker in the worst role of his career.
15. Jack Reacher:
I gave this 8/10, but 5-7, 140 Tom
Cruise is no more 6-5, 240 Jack Reacher than Mickey Rooney is James
Bond. If Tom had been playing a guy named John Smith, or anything other
than Jack Reacher, it would have been OK. Instead, the film alienates
the millions of devoted readers of author Lee Child's books.
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